CURRENT & PREVIOUS SHOWS

Rogers Lab Gallery
 

COLOR CORRECTION

OCTOBER 19-28


OPENING RECEPTION
FRIDAY OCTOBER 20
6:30-9PM
 

Roger Smith Lab Gallery
501 Lexington Ave at 47th ST.
New York, NY 10017
212-339-2092

WITH JOEL CARREIRO . MARY CARLSON . NICHOLAS GAFFNEY . MATTHEW GARRISON . STACY GREENE . YUKO ODA .OCTOBER 19-28

CURATED BY MATTHEW GARRISON

Research shows that behavior and perception are directly linked to the presence of color.  The six artists in Color Correction investigate the exaggerated and enhanced colors of the new millennium.  In turn, this exploration of contemporary esthetics reshapes perceptions of nature, history and current events.



Sept. 21 - Nov.4, 2006. Stacy Green - Photographs - Hudson Valley Community College - Directions

Stacy Green - Hudson Valley College
Stacy Greene
Betabille Blondes - 1 Betaville Blondes - 2
"Betaville Blondes" from Stacy Greene's "Movies I'll Never Make" photography series.


Coming Soon...

Oct. 20, 2006. Manhattan. Stacy Green in Five Person Show

Past Events

Bindis in Breathe Magazine

Bindis in Breathe Magazine — July/August 2005 Issue

BINDI POP ART

"At a distance, these colorful masterpieces look like vibrating mandalas. Up close, you realize each burst of hue is a tiny bindi, a decorative dot many Indian women wear over their third eye chakra to invoke focus and devotion. Artist Stacy Greene buys raw materials for her pointillist collages in Hindu populated neighborhoods in New York and has friends bring back more from India. Her one-of-a-kind "abstractions of the feminine" are set on painted wood squares." — Breathe Magazine July/August 2005

 

Exhibit in 2004 — Brooklyn Museum

Evil Pirate Woman
Evil Pirate Woman

 Brooklyn Museum of Art

"Los Zapatos de Lorraine" and "Evil Pirate Woman" are from my two-part series of color and monochromatic photographs entitled "Movies I'll Never Make."

In the first "Movies" series, photographs of run-down or abandoned drive-in movie theaters stand alone and unprotected, often in harsh sunlight or dreary gray afternoon haze. An entertainment dinosaur, the blank outdoor movie screen serves as not only a window onto an era long before that of the DVD, but also a mirror onto which our dreams of glamour and romance confront intimations of mortality.

The second "Movies" series consists of aggregated groups of photographs (usually three or more) creating a single work. Out of these "storyboards," featuring drastic shifts in viewpoint and scale, curious narratives emerge --ambiguous, dramatic and written and directed by the viewer.

The storyboard of "Los Zapatos de Lorraine" evokes not only the claustrophobic, mysterious and often ominous atmosphere of film noir, but also the lush romance and looming existential emptiness of a John Cassavettes film. The piece is also highly personal: the shoes made of floral brocade are from the late 1950's and belonged to my Aunt Lorraine. A seemingly conventional Midwesterner, she had her secrets: I remember my surprise when I learned that the CB "handle" --the mid-1970's radio moniker not unlike today's fanciful email addresses-- she had chosen for herself was "Cat Woman."

More in the tradition of an adventure film, "Evil Pirate Woman" is a portrait of a sexy and dangerous pirate and the landscape in which she carries out her nefarious activities. Yet in the midst of it all is a moment of contemplative calm: a paradoxical combination of action and reflection.

Stacy Greene
2003

RECENT SHOWS
Here is a look at some of my past exhibitions.

 

Los Zapatos de Lorraine
Los Zapatos de Lorraine

Brooklyn Museum Press Release

Open House: Working in Brooklyn
April 16—August 15, 2004


(Morris A. and Meyer Schapiro Wing, 4th and 5th floors, and various other galleries)

Since the 1970s, Brooklyn has experienced an artisitic renaissance as emerging and mid-career artists have increasingly moved to the borough. Attracted by the availability of large, affordable spaces, this flourishing community now includes hundreds of artists and more than fifty active art galleries in such areas as Williamsburg, Greenpoint, D.U.M.B.O., Fort Greene, and Red Hook. Open House: Working in Brooklyn will be the first comprehensive survey of Brooklyn's thriving and varied art scene. The exhibition will include some of the best work being done in painting, sculpture, installation, drawing, photography, film, and video by some of Brooklyn's most extraordinary talents. In addition, public programs accompanying the exhibition will feature dance, music, and poetry created in Brooklyn. This landmark exhibition is being presented in conjunction with the reopening of the Museum's front entrance pavilion and public plaza, designed by Polshek Partnership Architects. Like the new entrance, this exhibition is intended to heralld the new spirit of Brooklyn.

Curated by: Charlotta Kotik, Curator and Tumelo Mosaka.


Brooklyn Museum of Art
.

200 Eastern Parkway
Brooklyn, New York 11238
718-501-6330




Copyright © 2005 Stacy Greene